Are you noticing a lack of congregational participation in your church worship services? Is there a deadpan expression covering their faces? Perhaps a few brave folks are singing while the rest look like they’re bored out of their mind. In Psalm 105:2, David encourages us (God’s children, the church) to sing God’s praises and to tell the world of His wondrous works. There are dozens of other verses in the Bible that speak to the same theme. OK, so where’s the disconnect in our worship services? Let’s explore some of the reasons why and look at how you can remedy the problem. Continue reading “Why Your Church Isn’t Singing”
Why should you use hymns in your church? Why do they still matter? Hymns seem to be quickly falling by the wayside as churches move in the modern era of worship bands and praise songs. It hasn’t always been this way. Throughout the course of its existence, the church has evolved and adapted to reach many cultures of this world. Colossians 3:16 mentions singing psalms, hymns, and spiritual songs with thankfulness in your hearts to God. That’s one of many reasons to be using hymns along side modern worship songs- the Bible says so! Who is actually using hymns in church today? Let’s explore why hymns still matter by taking a quick look at who is… and who isn’t.
Bands everywhere, in churches and on the road, are using in-ear monitors while they perform. It’s simple: everyone in the band has a metronome click in your ‘headphones’ to keep the tempo steady (we’ll get into what exactly ‘in-ear’ monitors are in just a second). If everyone plays to the same tempo, they will sound more professional and tighter- MUCH tighter. Here’s the thing- some band guys might say something like this: Continue reading “Worship Meets The Modern Era [part 1]”
Merry Christmas from the Downtown Revival Band
We would like to share our latest music for the season with you. We’ve spent several months in the studio after hours and on the weekends to bring life to our new versions of these classic Christmas carols and a few new originals. We are calling it, Our Savior Has Come and the cover looks like this:
It feels like there’s a new worship record coming out every week these days. With so much material out there, it’s really easy for new-comers to get lost in the noise. Most folks stick to the big, established names that they trust- Chris Tomlin, Kristian Stanfill, Hillsong, etc. With our daily schedules being so busy, why even bother with the names you’ve never heard of? It’s a big hassle. Here’s the thing- I’m one of those new-comers to the worship scene and I’d like to ask you to take a chance on me and listen to my album and share it with your family and friends. I need some grass-roots support to get the word out and you’re exactly the person I need!
TAKE A CHANCE…
Here’s a little history: back in 2007, I was in a band with American Idol top 10 finalist Chris Sligh- the band was called Half Past Forever. We toured a decent amount through the region and Chris and I produced a record. It was basically us sitting in an attic with a computer and a ton of microphones and guitar amps making music for six months. Continue reading “Not Just Another Worship Record”
This blog is dedicated to the tender love and care of a Fender Jazz bass belonging to a friend of mine that has been converted from the standard fretted model into a unique fretless version. The nut height, the neck angle, and the bridge setup were all still setup for a fretted bass guitar. This presented a bass that was hard to play and only had a marginal sound. I was asked to take a look at this bass to see what I could do to bring it up to speed.
First things first – I measured the string height at the nut and it was way too high for the proper fretless feel. So, I had to file the nut slots nearly all the way down to the neck to get them close enough. Since you don’t have a huge fret in the way, you can go much lower with a fretless neck. Continue reading “Micro-Tilt Install (Fretless Jazz Bass)”
The first time I tried to wire the Les Paul with Jimmy Page style wiring, I burned out the internal wipers in the volume pots (the volume was either full-on or only partially down – it wouldn’t cut completely off). Plus, I had some ground buzz problems. I was content to live with these issues for a little while – I mean, for most rock guitarists with a Ernie Ball VP Jr. (passive volume pedal), who needs to turn off the volume anyways?! A few months of this and I couldn’t take it anymore. My OCD tendencies took over and I had to shield and re-wire everything. Here are a few things that I’ve recently acquired that made the job infinitely easier:
Xytronic 168-3C Soldering Station – the best solding tool available for guitarists (be sure to get some quality resin-core solder and 26 gauge wire)
Copper Shielding Tape – makes shielding the control cavity almost too easy
A Cardboard Jig – use this to aid in wiring everything but the grounds and pickups before installing (cut a piece out of the shipping box for the soldering station – recycling, ftw) Continue reading “Les Paul Jimmy Page Re-Wire”